The Oddities of My Quarters… because a Writer Needs A Room of One’s Own (Whether they Like it or NOT!)

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I hate writing in my bedroom and I wouldn’t recommend it. Oprah would agree with me.  I once saw an episode of her now defunct talk show dedicated to Feng Shui. The guest interior designer stressed that the bedroom should be a place of relaxation, and that work should have it’s own site.  Unfortunately, no matter where I go to write, it just never happens. If I’m at the library, I worry I might need to use the restroom and someone will take my stuff. If I’m at my local café, I become too invested in the music that’s playing or I stare at my favorite barista who I’m convinced has had a sex change, but I just can’t tell. At the end of the day when I’m hitting a deadline and I’ve no work to show for myself, I end up in my room and become the crankiest writer ever. No relaxation takes place here. Oprah would not be pleased.

How can relaxation, and for that matter writing, take place here when it’s chaotic, both inside and out? Despite having installed a chained lock, family members continuously attempt to enter for no good reason. Even our three Chihuahuas—Lita, Koki and Lucky, come by hoping I’ll let them borrow my bed for a good forty winks. When I lived alone I used to dream of this attention, but from one individual, not my entire family. Coming from them, I somehow resent it.

The desk is no good to write on. Not only is it small and wobbly, but also it’s become the crash pad for all the trinkets and toys that haven’t found their proper place in my room, a sort of Island of the Misfit Toys. Rebecca Nutcracker lives there. She hates it, but she hates most everything. She’s lived on my desk since Christmas 2011, when my parents got her on sale. She used to be a simple beauty, sporting glittery heart shaped glasses and head full of brown yarn for hair, but my youngest dog, Rocky (R.I.P., My Love) got to her. Now she reminds me of Little Edie of Grey Gardens—balding, detached from reality, and full of regret. She knows she could have been something better, maybe a pencil, but that was never in her cards. 

Back outside, the neighbors do their best to provide my room with a continuous soundtrack. I know their lives without actually knowing them. The wife and mother, Vera, is always home with the couple’s toddler, Jesus. Jesus is becoming quite the little asshole. I don’t know where he’s learning curse words, but he’s been using them to insult his mother and I don’t like it. I would gladly spank him, if she let me, but she doesn’t know I exist.

Despite the chaos, there is a level of comfort. I’m a nervous person in general– I over-think things in life and in writing. In my room I don’t have to think about theft, music or sex changes because I know the oddities of my quarters. That has to be some form of Feng Shui.

 

 

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